Review of Intuited Architectures on Neural.

Review of Intuited Architectures in Neural magazine.

NEURAL

“.……The dissonances the organic and electronic sounds, the scraping modulations and the whole original manipulative processes have given birth to a range of expressive possibilities and unmeant combinations. At the same time the meticulous positioning of single sound impulses is altogether part of continues sequences, active settings and coherent plots….

“...The guitar is the instrument of which Truslove is the master and its sounds are free from mobile and liquid sequences that don’t lack energetic passion and well codified correspondent features and performative style.…”

Read the full review here

Review of Intuited Architectures on The Sound Projector

Review of Intuited Architectures in The Sound Projector.

AsAboveSoBelow

“….Glasgow-based Graeme Truslove is a seasoned sonic scientist; using metaphorical microscope to illuminate the sub-cellular dimension’s peculiar turns of phrase, weaving these into chaotic tapestries with which he invades performance spaces…..”

“…..Easily the most visceral and variegated of today’s offerings, the measures of relief of its softer, more diaphanous moments are but brief intercessions of self-deluding dream between nerve-peeling screeches of reality……”

Read the full review here.

Review of Intuited Architectures on bodyspace.net

bodyspace

“…What you’ll find at Intuited Architectures is a mixture of electronic and analog sounds, like gigantic sound constructions rising in the void, brick over brick and cement over cement so that the final building – the piece – can last in time. Solid, useful, and even occasionally beautiful….”

Translated using Google Translate.  Full article here

Review of Intuited Architectures – SilenceAndSound

Review of Intuited Architectures

… Multi-award-winning artist, Graeme Truslove plays on paradigms, composing a world close to chaos, where silences and abrasive climbs form a coherent whole multiplying the tracks and interpretations.

…Subtle through the use of sound sources that he transposes and transforms into tiny living organisms, Graeme Truslove creates a world that seems to be discovered under the microscope, made of piles of entities with impressive mutation abilities. Very highly recommended.

(Translated using Google translate)

Read the full review by Roland Torres here.

Review of Intuited Architectures – Sigil of Brass

Review of Intuited Architectures

“…  I love this album. Like a thousand ants walking over the microphone the sounds that are coming from my stereo are rare, electronic/biological hybrids.

“… The juxtaposition of composed, static piece and live improv is achieved here in spades – I really dig this album.

Read the full review here.

Review of Intuited Architectures – Chain D.L.K

tmpl_header

Review of Intuited Architectures

“…  Graeme Truslove’s sonic mosaics use glitchy, electronic sounds to create gently disquieting ethereal soundscapes full of synthetic bubbles, clicks and pitter-patters. Exploring automation techniques, Truslove generates music that seems to be disassembling and reassembling itself  ..”

Read the full review here.

CD Release

Cronica_IA

Released on Crónica Electronica on 09/05/2017.

Available for download here.

Tracklist

  1. Suite II, Portals (07:36)
  2. Suite II, Convergence (08:26)
  3. Suite II, Divergent Dialogues (08:19)
  4. Elements (08:22)
  5. Concrètisations X (14:45)
  6. Strata (20:24)

Credits

  • All pieces created by Graeme Truslove.
  • Double Bass on Strata performed by George Lyle.
  • Photo by Alison Clifford.
  • Produced with support from The University of the West of Scotland.

Upcoming concerts for SSOFA

songhuizong2

The Scottish School of Flower Arranging will be playing at:

17th May 2014 – St Johns Church, The Pleasance, Jedburgh, Scotland.

10am – 4pm, St Johns Church: four-channel sound installation of new music for hand-made acoustic and electronic instruments.

7pm, The Butterfield Room, Jedburgh Community and Arts Centre (behind St Johns Church): evening concert of improvised music for hand-made acoustic and electronic instruments.

 

27th June 2014 – The São Bento da Vitória Monastery, Porto, Portugal.

Part of the xCoAx 2014 Conference.
9.30pm – midnight. Evening concert of improvised music for hand-made acoustic and electronic instruments.

More dates to follow…